
Just sayin...
ConceptIn the Salt Lake Area, if you are a person who is inspired by a modern-contemporary architectural flavor, the only choice for you is to buy/build a home in an area and at a price point that is prohibitive to all but the most affluent. There are a few designers who can be engaged to design homes in this 7-figure price range, and there are also a few “heritage” homes in the
Project GoalsThe design goals of this project are as follows:
Richard Neutra
Frank Lloyd Wright – Modernist school, as opposed to the prairie style
Don Wexler
John Lautner
R.M. Schindler
For the 20 lots, there will be approximately 5-7 different home designs, each with a particular design heritage. Models will carry the name of the historical architect from which the design inspiration comes. The entire group will have common elements and will appear to come from the same family, or general design school of thought. Each design school will be interpreted with a 21st century flavor and sensitivity. Each will have the ability for custom elements within the general design. Within the individual designs, there will also be elements that tie the group together, and at the same time set the individual homes apart from each other.
Among the common features will be:
Homes will generally be three bedrooms / two bathrooms, with unfinished basements
Homes will generally be in the 3000 square foot range, not counting unfinished basements
Minimized garage features on the front of the house. No more than two car space, no pad for extra storage, no street parking, well lighted street areas.
A strong use of glass, natural woods, metal, and stucco to convey unity and individualism
Kitchen spaces/elements to be contracted from common supplier, most likely Poliform, providing favorable pricing can be negotiated.
A blending of indoor and outdoor living spaces
A basic outdoor kitchen space with gas tips for grill, etc.
An individually designed small water feature
A patio space, with a built-in/sunken jetted hot tub/soaking tub area, with a buyer option for a larger pool if desired. No slides.
Extensive landscape/exterior home lighting, front and back
Responsible landscaping using native plants and grasses, minimal grass
Jeff Ayeroff, a longtime music executive and an academy member, said the resounding endorsement of the group reflected the fact that the academy represents “the artist community, which was very angry at what radio did, because it was not very American.” Mr. Ayeroff said he voted for the Dixie Chicks in at least one category.
At the awards on Sunday, the band — Natalie Maines, Martie Maguire and Emily Robison — swept all five of the Grammy categories in which it was nominated, including the top three — album, record and song of the year — the first time all three have been swept in 14 years.
The awards amounted to vindication for the Dixie Chicks, who found their career sidetracked in 2003 after the singer Ms. Maines told a London concert audience shortly before the invasion of Iraq that the band was “ashamed” that the president hailed from their home state, Texas. In the furor that followed, country radio programmers pulled the multiplatinum-selling trio’s music from the airwaves and rallied listeners to destroy their CDs.
The storm flared anew last year when the Dixie Chicks released the album “Taking the Long Way,” which included the single “Not Ready to Make Nice,” a defiant and bitter response to the group’s treatment. And things got worse when band members said in interviews that they were not interested in being part of the commercial country music business; Ms. Maguire, who plays the fiddle, said the group would rather have fans “who get it” instead of “people that have us in their five-disc changer with Reba McEntire and Toby Keith.” Country stations once again all but ignored the Dixie Chicks’ music.The sweep reflected something of a retort to the Country Music Association’s annual awards, held in November, when the Dixie Chicks were shut out. The vote by the Recording Academy, which is composed of performers, producers, engineers, executives and others across the country, evidently took a different view.
“I think it says that, by and large, the creative community sees what has happened to the Dixie Chicks as unfair and unjust,” said Mike Dungan, a longtime music executive who heads the C.M.A.’s board and is also the president and chief executive of the Capitol Nashville label. (Mr. Dungan said he was not speaking on behalf of the C.M.A.)